A 2 hour Spotify mixtape, a work in progress and a mouthful:
Bowery Electric – Floating World
Portishead – Humming
Björk – Possibly Maybe
Cibo Matto – Sugar Water
Lovage – To Catch a Thief
Tricky – Overcome
Massive Attack – Paradise Circus
Lamb – I Cry
Nelly Furtado – My Love Grows Deeper, Part 1
Sneaker Pimps – Walking Zero
CocoRosie – Werewolf
Goldfrapp – Black Cherry
Madonna – Justify My Love
How To Destroy Angels – The Space In Between
PJ Harvey – Down By The Water
DJ Rap – You Get Around
Addie Brik – Bonded
Glass Candy – Computer Love
Solex – birthday superboy
Psapp – About Fun
Fiona Apple – Extraordinary Machine
Stan Getz – Corcovado (Quiet Nights Of Quiet Stars)
Cibo Matto – Stone
Cibelle – Mad Man Song - Feat. Spleen
Brigitte Fontaine – Comme La Radio
Madonna – To Have And Not To Hold
Santogold – Anne
Suzanne Vega – Lolita
Vanessa Daou – You
Basement Jaxx – Lights Go Down
Every technology company I have is getting hit by patent lawsuits that are the biggest bunch of bullshit ever. Every week it seems like a new one comes up. Between having to pay our lawyers a lot of money to review each, to increasing insurance rates and settlement costs because we can’t afford to pay to fight the nonsense, it’s an enormous expense. So much so that money that would have gone to new hires to improve and sell the product has to be saved to pay to deal with this bullshit.
29 Ways to Stay Creative (by Hollowman2007)
#30: Play this every morning.
The amazing growth of Vinyl (via Nielsen Wire).
De Jeugd van Tegenwoordig is the #1 artist in the first year of Spotify in Netherlands. Great mixtape by DJVT on mixed-tapes.nl.
“During rehearsals, Brad Pitt and Edward Norton found out that they both hated the new Volkswagen Beetle with a passion, and for the scene where Tyler and The Narrator are hitting cars with baseball bats, Pitt and Norton insisted that one of the cars be a Beetle. As Norton explains on the DVD commentary, he hates the car because the Beetle was one of the primary symbols of 60s youth culture and freedom. However, the youth of the 60s had become the corporate bosses of the 90s, and had repackaged the symbol of their own youth, selling it to the youth of another generation as if it didn’t mean anything. Both Norton and Pitt felt that this kind of corporate selling out was exactly what the film was railing against, hence the inclusion of the car; “It’s a perfect example of the Baby Boomer generation marketing its youth culture to us. As if our happiness is going to come by buying the symbol of their youth movement, even with the little flower holder in the plastic molding. It’s appalling to me. I hate it.”